Bachtrack’s Dance Editor Deborah Weiss picks ten young dancers who made a deep impression last season, and what to expect from them in 2025–26.

With so many talented young artists appearing in this season, editor Mark Pullinger selects ten we’re particularly excited to follow this year.

At the Schleswig-Holstein Music Festival, Fazıl Say concluded his residency with the Borusan Istanbul Philharmonic with an evening of jazz, Ravel and his own symphony, capturing the restless energy of ...

Janine Jansen joins the Royal Concertgebouw Orchestra for Prokofiev in a brilliantly conceived programme ending with Bartók’s ...

An evening at the Seoul Arts Center in which clarity matters as much as volume and the most telling virtuosity comes from a refusal to grandstand.

An impressive new work by Paul Stanhope, Mahāsāgar (the Indian Ocean) is well sung and played by the WASO choir and orchestra with soloists Sara Macliver and Andrew Goodwin, alongside some oceanic fav ...

Despite the disruption, the musicians of the MSO under Chief Conductor Jaime Martín continue their interesting programme of Sutherland, Dvořák and Tchaikovsky.

Contemporary music theatre seems to be in a state of rude health, and we preview several new stage works soon to hit the boards this coming season at venues and opera houses around the world.

The German violinist gives us plenty of Czech brio in Dvořák; conductor and orchestra display many good qualities but fail to thrill.

Rouvali and the Philharmonia dazzle with sunlit Tchaikovsky, intense Shostakovich and Say’s imaginative textures, while ...

Ryan Bancroft’s LSO programme, inherited from Simon Rattle, mixes attractive English folksong-inspired pieces with more challenging, late 20th-century works.

Artist-in-Residence Bomsori Kim joins Jun Märkl for a new chapter in the history of the Residentie Orkest, The Hague.