Bachtrack’s Dance Editor Deborah Weiss picks ten young dancers who made a deep impression last season, and what to expect from them in 2025–26.

With so many talented young artists appearing in this season, editor Mark Pullinger selects ten we’re particularly excited to follow this year.

At the Schleswig-Holstein Music Festival, Fazıl Say concluded his residency with the Borusan Istanbul Philharmonic with an evening of jazz, Ravel and his own symphony, capturing the restless energy of ...

An evening at the Seoul Arts Center in which clarity matters as much as volume and the most telling virtuosity comes from a refusal to grandstand.

Janine Jansen joins the Royal Concertgebouw Orchestra for Prokofiev in a brilliantly conceived programme ending with Bartók’s ...

An impressive new work by Paul Stanhope, Mahāsāgar (the Indian Ocean) is well sung and played by the WASO choir and orchestra with soloists Sara Macliver and Andrew Goodwin, alongside some oceanic fav ...

Despite the disruption, the musicians of the MSO under Chief Conductor Jaime Martín continue their interesting programme of Sutherland, Dvořák and Tchaikovsky.

Ryan Bancroft’s LSO programme, inherited from Simon Rattle, mixes attractive English folksong-inspired pieces with more challenging, late 20th-century works.

Rouvali and the Philharmonia dazzle with sunlit Tchaikovsky, intense Shostakovich and Say’s imaginative textures, while ...

Marie Jacquot makes her BBC Proms debut with great performances of Bizet, Saint-Saëns and Augusta Holmès, while Inmo Yang dazzles in Sarasate.

Kullervo opens the 26th Sibelius Festival in Lahti, but the new edition brings a big change: not all the music will is by Sibelius!

Between gigs at Wembley as Coldplay’s support act, the Simón Bolívar Symphony Orchestra brings its distinctive brand of infectious music-making to the Southbank.