Bachtrack’s Dance Editor Deborah Weiss picks ten young dancers who made a deep impression last season, and what to expect ...

With so many talented young artists appearing in this season, editor Mark Pullinger selects ten we’re particularly excited to follow this year.

At the Schleswig-Holstein Music Festival, Fazıl Say concluded his residency with the Borusan Istanbul Philharmonic with an evening of jazz, Ravel and his own symphony, capturing the restless energy of ...

Our statistics for 2022 show that the French composer's work has dethroned the great hits of classical music. Is this a one-off triumph or the start of a lasting dominance? We explain ...

An evening at the Seoul Arts Center in which clarity matters as much as volume and the most telling virtuosity comes from a refusal to grandstand.

An impressive new work by Paul Stanhope, Mahāsāgar (the Indian Ocean) is well sung and played by the WASO choir and orchestra with soloists Sara Macliver and Andrew Goodwin, alongside some oceanic fav ...

Despite the disruption, the musicians of the MSO under Chief Conductor Jaime Martín continue their interesting programme of Sutherland, Dvořák and Tchaikovsky.

Ryan Bancroft’s LSO programme, inherited from Simon Rattle, mixes attractive English folksong-inspired pieces with more challenging, late 20th-century works.

Kullervo opens the 26th Sibelius Festival in Lahti, but the new edition brings a big change: not all the music will is by Sibelius!

Marie Jacquot makes her BBC Proms debut with great performances of Bizet, Saint-Saëns and Augusta Holmès, while Inmo Yang dazzles in Sarasate.

Between gigs at Wembley as Coldplay’s support act, the Simón Bolívar Symphony Orchestra brings its distinctive brand of infectious music-making to the Southbank.

Under Jaime Martín, the Melbourne Symphony Orchestra showcase Indigenous music through William Barton’s didgeridoo alongside Elgar and Mussorgsky, creating a visually and sonically vivid, if uneven, ...