Every year growing slightly larger and more powerful in a physical as well as a comedic sense, Pierre Novellie has finally reached a tipping point where he’s out of the velvet jacket and into a suit ...

Having traded for the last few years as one half of deadpan sketch duo Crizards, Will Rowland has followed in partner Eddy Hare’s footsteps and moved into stand-up for a piece of long-form ...

You can tell Cave has training (and success) as an actor, because her voice and character work is impeccable. There are a couple of dozen characters in Christbride, and minimal costume changes, but ...

The Mayor and His Daughter hail from a town that seems to exist in England’s past, present and future, where the townspeople are vessels for dark forces and the high street chains are eroding away, to ...

Molly McGuinness has a powerful health story to tell in her Fringe debut, but she sensibly chooses not to lead with it. Instead, she first establishes herself a witty chronicler of working-class life ...

Still, Don’t Count on Me is an assured debut, suggesting Trickey’s decision to throw away that secure accountancy job for a fickle career in comedy wasn’t all that rash after all. Especially as ...

When Mumbai-based Urooj Ashfaq won the best newcomer award at Edinburgh two years ago, a certain reviewer made a comment that what passed for edgy in India was conservative in the UK. Well, now she’s ...